Justin S. Harrison

Howdy! I'm an author, critic, editor, essayist, and more. Rachel Distler illustrated my portrait. Check out her work at www.redtiebear.com.

My Favorite Work

AIPT •

Meredith Gran talks ‘Perfect Tides’, time’s inexorable march, and the internet as it was in 2000

Meredith Gran rules. Octopus Pie, her 2007-2017 webcomic, is for my money one of the medium’s all-time great works. Her major post-Octopus Pie creative project—the crowd-funded point and click adventure game Perfect Tides, launched on Tuesday. It’s terrific — a witty and thoughtful coming of age story that navigates the goofy and the heavy with care and skill amidst gorgeous artwork, compulsively readable prose, and clever puzzles. AIPT was able to speak with Gran in the run-up to Perfect Tides‘
The Gutter Review •

A Place Both Webbed and Strange: Reading Todd McFarlane’s Spider-Man as a Twin Peaks Riff

“Perceptions” is a fascinating, if not wholly successful, comic. After kicking off Spider-Man with “Torment”, a story that played to his strengths as an artist and writer (visual emphasis on Spider-Man in motion, horror beats built on the grotesque and the mystical) McFarlane takes a genuine swing and tries to stretch himself. “Perceptions” is a mystery that questions society’s systems of power, a horror story where the supernatural is less terrifying than the domestic/familiar, and to some extent a deconstructive presentation of Spider-Man.

Most intriguing of all, “Perceptions” is, deliberately or otherwise, deeply influenced by and riffing on David Lynch, Mark Frost, and company’s once-beloved-then-discounted-now-again-beloved and highly influential supernatural mystery/horror/slice of life television series Twin Peaks.
The Comics Journal •

Perspective and Time in Meredith Gran’s Octopus Pie

One of the things that has long fascinated me about the way comics work is the extent to which the art of it is about controlling perception. Within a panel, the reader sees a specific image. On its own, the image is an image. In concert with other panels, it becomes sequential art – the comic’s creator(s) directing the reader’s eye and mind from image to image. But it’s not just motion and the passage of time that a comics page creates; it’s the perception of them.

My Ongoing Work

Hyperreal Film Club •

Warfare Review — Hyperreal Film Club

On paper, co-directors Ray Mendoza and Alex Garland’s Warfare is simple. Mendoza, a former Navy SEAL, is recreating a disastrous mission he and his unit undertook in Ramadi, Iraq, in 2006. A unit of Mendoza’s platoon occupied a two-story, two-apartment home to provide overwatch for ground forces due to move through the area. Al Qaeda fighters realized the house was occupied and launched a series of attacks on the home, severely injuring several members of the unit. The SEALs, after a failed atte...
Hyperreal Film Club •

Neighborhood Watch Review — Hyperreal Film Club

Simon McNally (Jack Quaid) is struggling. He lives with paranoid schizophrenia, which commonly manifests as vivid auditory and visual hallucinations of his abusive father (Jonathan Fuller), and is trying to ease back into the world after an extended and involuntary hospitalization. Ed Deerman (Jeffrey Dean Morgan) is struggling. He lives alone in the wake of his wife’s death and the end of his job as head of security for a local college. No one wants to see Simon because he makes them uncomforta...
Hyperreal Film Club •

The Glassworker spins a striking tale that gets why Miyazaki’s work is so beloved — Hyperreal Film Club

Of all the insidious things about the recent plague of AI slop that tries to mimic the work of Studio Ghibli (specifically director Hayao Miyazaki), the flattening sticks with me. To the algorithm and the schmucks who turn to it for dopamine, Ghibli and Miyazaki are pastoral vistas and wholesome young people and piles upon piles of anime food and nothing else. There’s nary a look at the way violence corrodes all it touches, nor a struggle with life’s impeccable ability to hurt to be seen. Maybe...
Hyperreal Film Club •

And, Towards Happy Alleys Shares Its Creator’s Passion and Sparks the Audience’s — Hyperreal Film Club

Throughout And, Toward Happy Alleys’ 75 minutes, Singh engages her subjects on why they do what they do, what moves them to do so, and how they navigate their callings, from activism to filmmaking, in an often extremely hostile environment. Singh’s passion for Iranian art is evident in the insightful questions she asks and the folks she seeks out to interview, such as former child actor Aida Mohammadkhani, who appears in Panahi’s The White Balloon. In another case, she visits the home of legenda...
Hyperreal Film Club •

With On Becoming a Guinea Fowl, Rungano Nyoni Pulls Truth from the Depths of Memory — Hyperreal Film Club

Amidst the tension and surrealism, Nyoni and the acting ensemble craft a moving and unsettling film. The family failed Shula, Nsansa, and Bupe. Their Aunties admit as much. Despite that, they insist on mourning Fred as the best version of himself, “ever jovial and joyous,” even though everyone who held power in the family, who could conceivably have stopped him, knew he was a predator. Despite crying for their children, the Aunties seize on the widow’s anxiousness and raw, angry grief to make he...
AIPT •

‘Snotgirl’ #20 brings the arc to a close with mutable memories

Since Leslie Hung and Bryan Lee O’Malley’s Snotgirl returned late last year, the surreal sunshine comic noir has paired every answer to one of its mysteries with a new question. Readers know, for instance, that Charlotte “Lottie” Person, allergy-prone fashion influencer sometimes-extraordinaire, really does seem to have befriended a ghost. Her name is Yolanda, and she’s probably not a dodgy-allergy-meds-induced hallucination. Conversely, while the audience has a fix on how Lottie’s mercurial bel...
Hyperreal Film Club •

SXSW '25: O’Dessa signifies nothing, and doesn’t even offer sound or fury — Hyperreal Film Club

O’Dessa’s driving theory as a musical is that the titular heroine’s music, accompanied first by her guitar and eventually by musicians moved by her work to join in, is pure and healing in its realness compared to the cruel artificiality of Satylite City. Acknowledging that I’m not a musicologist, Sink is a talented singer with an impressive vocal range. O’Dessa sticks her with songs that range from the leadenly expository to the emptily inane. The film’s best song, its showstopping 11 o’clock nu...
Hyperreal Film Club •

SXSW '25: LifeHack — Hyperreal Film Club

Kyle (Georgie Farmer), Syd (Roman Hayeck Green), Petey (James Scholz), and Alex (Yasmin Finney) have been internet friends for years. Their shared chatroom is a place to game, swap music, tell stories, commiserate over their lives and families, and occasionally engage in what they tell themselves is Robin Hood-style cybercrime. It’s just that they keep the money and are willing to drop law enforcement (if not SWAT) on the scam call centers they counter-scam. The named-after-Stephen-King’s Loser’...
Hyperreal Film Club •

SXSW '25: Bunny’s Beautifully Crafted Chaos Thrills — Hyperreal Film Club

Bunny (Mo Stark, also co-writer), the titular lead of the dramedy Bunny, which premiered at SXSW 2025, is the sort of guy you’d want for a neighbor. He’s a bit of a hustler, but he’s out to get through the day, not rip people off. He’s a sex worker and jack-of-all-trades who knows everyone in his building, from his wife Bobbie (Liza Colby) and best friend Dino (Ben Jacobson, also director and writer) to landlady Linda (Linda Rong Mei Chen) to the girls throwing a party a floor below to those two...
Hyperreal Film Club •

SXSW '25: Reeling — Hyperreal Film Club

Reeling is filmmaker Yana Alliata’s first narrative feature, and it’s a strong debut and a worthy feature at SXSW 2025. Ryan Brown played Hamlet once. He had the whole play memorized. That was before a motorcycle collision shattered his mind and his body. Five years later, Ryan (Ryan Wuestewald) has put himself back together as well as possible. He knows that he’ll never recover some of what he had pre-collision. He can get through the day with regular meds and a careful schedule. He can drive a...
The Spool •

Black Bag is a mannered, merciless delight

Severus has slipped its leash. It was never supposed to leave the cavernous, cold corridors of British Intelligence’s chic HQ. But it did. There is a mole. Severus is in the wind. If it’s used, thousands will die. Badly. Thus, intelligence operative Philip Meacham (Gustaf Skarsgård) turns to George Woodhouse (Michael Fassbender), a superb analyst who hates liars to ferret out Severus’ thief. 


There are five suspects. Colonel James Stokes (Regé-Jean Page) is a rising and passionate star in the...
AIPT •

‘Snotgirl’ #19 shifts mode and mood

Leslie Hung and Bryan Lee O’Malley’s Snotgirl never rests on its laurels. It returned from its long hiatus with a low-key look at fashion blogger Lottie Person’s newfound romance with riddle-wrapped-in-a-mystery-wrapped-in-an-enigma model Caroline. It dialed up the covert life of Caroline’s long-suffering brother Virgil. It introduced a hidden past in the Japanese idol scene for Lottie’s mother, Kimiko, and her aunt, Aya. With issue #19, Hung and O’Malley have officially moved Snotgirl into the...
Hyperreal Film Club •

Review: Paolo Sorrentino's Parthenope — Hyperreal Film Club

Parthenope is my first Paolo Sorrentino film. I’ll give it this—it’s made me curious about his other work. From being a film dweeb, I know that he’s a well-regarded filmmaker, someone who folks get excited about. From seeing Parthenope, I know he and his collaborators can craft stunning montages and striking episodes that deftly balance the familiar and the bizarre and that they’re good at finding interesting faces. I’d like to check out Sorrentino and his crew’s oeuvre, both because of what’s s...
AIPT •

At 20 years old, ‘Strange Girl’ makes an interesting artifact

I was not wowed by Strange Girl, Eric Nguyen and Rick Remender’s 18-issue apocalyptic religious horror road story. I am, however, glad to have read it, and that it’s getting a complete hardcover collection for its 20th anniversary. It includes some solid back matter — the best of which is a thoughtful essay Remender wrote in 2011 looking back on Strange Girl, how it was inspired by his experiences growing up as an atheist kid with a Mormon extended family, and how he related to the book six year...
AIPT •

Stories from Sol: The Gun-Dog Shines like its titular star

It’s been four years since the Solar War, four years since a mechanical failure in the launch system of your Armored Frame saved you from a battle that wiped out all but one other member of your squadron. You’re still in the Jovian Navy, and you’ve made lieutenant. Not as a pilot, but as a security officer, and you’re newly assigned to the patrol ship Gun-Dog. While one of your nine crewmates, Hansen Crwys, is the only other survivor of your squadron and still reviles you as a coward, another is...
AIPT •

Afterlove EP - review

Rama’s trying to live again. A year after his partner Cinta passed, sending him into a malaise and splintering his on-the-cusp indie band Sigmund Feud, Rama goes to therapy. He starts meeting people who could be friends or lovers. But Cinta — a ghost or a figment of imagination — is never far from Rama’s thoughts. She wants the best for Rama, but she’s just as messy as he is. At the end of September, Sigmund Feud will play a make-or-break comeback show (indie rock band L’Alphalpha provides Sigmu...
Hyperreal Film Club •

The Wolfman (2010) claws its way to a win — Hyperreal Film Club

Hopkins is having a ball as Sir John, a man who revels in his wickedness not through maniacal cackling but through perpetual wry amusement at everything—be that Gwen turning down a rich meal in the depths of infecting Lawrence with lycanthropy and getting to wake him up in the aftermath of his first rampage. He’s wonderfully despicable, and The Wolfman builds his venality from sketchy-but-perhaps-reliable to confirmed bad to full-on horrific. He’s a marvelous villain, and Hopkins is the best par...
The Spool •

Love Hurts is a messy, but delightful, kick in the heart

Love Hurts is a shambles. At 83 minutes, director JoJo Eusebio and writers Matthew Murray, Josh Stoddard, and Luke Passmore’s sweet-hearted-reformed-killer-gets-pulled-back-into-the-life-and-has-to-figure-out-which-of-his-lives-is-real actioner is both overstuffed and underbaked. Ke Huy Quan‘s big-hearted real estate agent, Marvin Gable, has an extensive and bloody secret history, alternately semi-cryptically alluded to and explored in such detail that the picture’s present-day story grinds to a...
AIPT •

Snotgirl #18 review

Part of the fun of reviewing Leslie Hung and Bryan Lee O’Malley’s Snotgirl has been seeing how they’re unfurling their increasingly wild central mystery while keeping their focus on their cast and how they’re changing. Make no mistake, Snotgirl is a gonzo comic that’s only getting more so. Allergy-prone fashion influencer Charlotte “Lottie” Person’s fallen head over heels for Caroline, a mercurial model involved in shady doings and who might be immortal—or at least unaging. Caroline’s brother Vi...
AIPT •

Daredevil: Born Again (Marvel Premier Collection) review

This isn’t a review of David Mazzucchelli and Frank Miller‘s seminal Daredevil story Born Again. Born Again is a terrific tale from one of the finest artists to work in U.S. comics and a frustrating, problematic, once brilliant writer. Mazzucchelli and Miller follow Matt Murdock/Daredevil to hell and back after the Kingpin gets ahold of his secret identity and sets out to ruin his life. It’s a harrowing tale, one that pummels Daredevil (and blows him up, traps him in a car that’s hucked into a r...
Hyperreal Film Club •

Under the Cold Light of the Moon, Wolf Man Mewls — Hyperreal Film Club

In practice, Wolf Man rips itself apart. Abbott gets precious little time to show how the years have changed Adult Brady since that fateful day in 1995, and the speed with which his infection and transformation progress means that while he’s constantly present, after a certain point he’s essentially playing a different and much simpler character. Neither Garner nor Firth has the space to make their characters distinct or give them a drive beyond “survive.” The Lovells could potentially be intere...
AIPT •

Snotgirl #17 review

Previously, in Snotgirl, artist Leslie Hung and writer Bryan Lee O’Malley’s surreal California fashion world noir spiral, life was looking alright for perpetually allergy-beset fashion influencer Lottie Person. She’d hooked up with her crush/fascination/object-of-obsession, Caroline. Caroline, often cutting, sometimes astonishingly cruel, revealed a previously unseen warmth as her relationship with Lottie became romantic and sexual. They had time for each other, time that was theirs and theirs a...
AIPT •

AIPT’s Best of 2024: Tsukihime: -A piece of blue glass moon- • AIPT

I am still surprised that I get to write about Tsukihime: -A piece of blue glass moon-. I own it thrice over – the physical copy I imported from Japan, the digital version of the English-language PS4 release I picked up after selling some books while unemployed, and a physical copy of the English-language Switch release that I bought to celebrate starting a new job. I’ve played both of -A piece of blue glass moon-’s story routes to completion, including both of the second route’s endings. It was...
AIPT •

Snotgirl #16 review

Snotgirl, artist Leslie Hung and writer Bryan Lee O’Malley’s striking, sunny, unsettling character study/mystery/ode to fashions eternal and transient, is back after a long hiatus with its 16th issue. I’m writing this review as a newcomer to the series, but a longtime fan of O’Malley’s other works, such as his recent animated adaptation/stealth sequel Scott Pilgrim Takes Off. To prepare for Snotgirl #16, I read the first three collected volumes — Green Hair Don’t Care, California Screaming, and...
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